Advice by a writer I truly admire: C. S. Boyack 🙂
I use verbal tics in my fiction. These are little tells that can reveal background, character, or even eliminate the need for a dialog tag.
These tics are never part of my main character, at least they never have been. I reserve them for supporting characters. Here are some examples of what I’m talking about:
In Wild Concept, Lisa makes friends with a tattoo artist/biker dude. He tends to replace the words ‘has’ or ‘have’ with ‘gots.’ He might say, “We gots to go to the Sheriff’s auction tomorrow.”
This reveals a bit about his upbringing, and possibly about his education. When he drops a line like that, I really don’t need a dialog tag after I’ve set the stage.
I used a cast of thousands in The Cock of the South. (Okay hundreds, but it sounds so Cecil B. Demille I had to use it.) As a way of…
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